Why was the sudden shift in architectural fashion that wrecked the career of the Scottish designer Charles Rennie Mackintosh not enough to destroy the indomitable spirit of Frank Lloyd Wright, who rose from adversity to become America’s greatest architect? Why was Philip Johnson, “dean of American architecture” during the 1980s, so haunted by the superior talent of this less-fortunate contemporary Louis Kahn that he could barely utter his name even at the peak of his own success? How did Ludwig Mies van der Rohe’s dictum “Less is more” give way to Robert Venturi’s “Less is a bore”?
Surveying such current urban design sagas as the reconstruction of Ground Zero and the reunification of Berlin, Filler also trains his sharp eye on some of the biggest names in architecture today, puncturing more than one overinflated reputation while identifying the true masters who are now building for the ages.
Martin Filler was born in 1948 and received degrees in Art History from Columbia. His writings have been published in more than thirty journals, magazines, and newspapers in the US, Europe, and Japan. Since 1985 his essays on modern architecture have appeared in The New York Review of Books, and he is now architecture critic of House & Garden. Filler was elected a fellow of the American Academy of Arts and Sciences in 2003. He and his wife, the architectural historian Rosemarie Haag Bletter, were guest curators for the Whitney Museum exhibition “High Styles: Twentieth Century American Design” (1985), and wrote the documentary film Beyond Utopia: Changing Attitudes in American Architecture (1983). They live in New York and Southampton, and have one son, Nathaniel.